super_admin_jens – Page 2

Große Erwartungen: Literaturverfilmungen und die Imagination des Lesers.

In: Julian Hanich/Hans-Jürgen Wulff (Hgs.): Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers. Paderborn: Fink, 2012. pp. 239-261. Link to the PDF file

Im Wechselbad der Gefühle. Zur Die Emotionsvielfalt im filmischen Melodram – eine Mikroanalyse (with Winfried Menninghaus.)

In: Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft. Vol 56, No. 2, 2011. Link to the PDF

Anger framed: A field study on emotion, pleasure, and art. (Erstautor: Wagner, Valentin; weitere Autoren: Klein, Julian; Shah, Mira; Menninghaus, Winfried; Jacobsen, Thomas).

In: Psychology of Aesthetics, Creativity, and the Arts. Vol. 10, No. 2, May 2016. Authors: Wagner, Valentin; Klein, Julian; Hanich, Julian; Shah, Mira; Menninghaus, Winfried; Jacobsen, Thomas. In: Psychology of Aesthetics, Creativity, and the Arts. Vol 10, No. 2, 2016. S. 134-146. Link to the PDF document

Complex Staging: The Hidden Dimensions of Roy Andersson’s Aesthetics.

In: Movie – A Journal of Film Criticism. Vol. 5, 2014. Link to PDF file

Cinematic Shocks. Recognition, Aesthetic Experience, and Phenomenology.

In: Amerikastudien/American Studies. Vol. 57, No. 4, 2012. p. 581-602. Link to PDF file

Review of Eyal Peretz: THE OFF-SCREEN AN INVESTIGATION OF THE CINEMATIC FRAME. Stanford: Stanford University Press, 2017.

In: Screen. Vol. 59, No. 1, 2018. pp. 136–140. Link to the PDF document

The Audience Effect: On the Collective Cinema Experience.

Edinburgh: Edinburgh University Press, 2018 (paperback version: 2019). Link to the publisher’s website. The Audience Effect is an immensely important contribution to the phenomenology of cinema. Focused on the much-neglected collectivity of the theatrical film experience, it also touches on other modes of collective viewing, and its rigorous descriptions of the structures, effects, and affects […]

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