In: Martine Beugnet, Allan Cameron, Arild Fetveit (Hgs.): Indefinite Visions: Cinema and the Attractions of Uncertainty. Edinburgh: Edinburgh UP., 2017 Abstrakt: This article investigates the effects mirrors in films can have on the composition of a filmic image, the staging of a scene and the viewing activities of the spectators. It discusses four such effects: […]
Kategorie-Archive:Aufsätze
Omission, Suggestion, Completion: Film and the Imagination of the Spectator.
In: Screening the Past: An International Electronic Journal of Visual Media and History, (43), 2018. Link zum elektronischen Journal
Great Expectations: Cinematic Adaptations and the Reader’s Disappointment.
In: New Literary History 49 (3): 425–46. Link zum PDF-Dokument
“Every Theory Needs a Reference to Lived Experience”: An Interview with Jean-Pierre Meunier.
In: The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions, herausgegeben von Hanich Julian and Fairfax Daniel, Amsterdam: Amsterdam University Press, 2019. Link zum PDF-Dokument
When Viewers Drift Off: A Brief Phenomenology of Cinematic Daydreaming.
In: The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions, edited by Hanich Julian and Fairfax Daniel, pp. 336-52. Amsterdam: Amsterdam University Press, 2019. Link zum PDF-Dokument
[Omission, Suggestion, Completion. The film and the viewer’s imagination – an approximation] In: Julian Hanich / Hans-Jürgen Wulff (ed.): Omission, Suggestion, Completion. The film and the viewer’s imagination. Paderborn: Fink, 2012.
Auslassen, Andeuten, Auffüllen Der Film und die Imagination des Zuschauers – eine Annäherung. In: Julian Hanich/Hans-Jürgen Wulff (Hgs.): Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers. Paderborn: Fink, 2012. Link to the PDF
[Great expectations for film adaptations and the imagination of the reader] In: Julian Hanich / Hans-Jürgen Wulff (eds.): Omission, Suggestion, Completion. The film and the viewer’s imagination. Paderborn: Fink, 2012.
Große Erwartungen Literaturverfilmungen und die Imagination des Lesers In: Julian Hanich/Hans-Jürgen Wulff (Hgs.): Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers. Paderborn: Fink, 2012. Link to the PDF
Erfahrungsraum: Die Öffentlichkeit des Kinos.
In: Handbuch Filmtheorie. (Hgs.) Bernhard Groß/Thomas Morsch. Berlin: Springer, 2016. Link zum PDF-Dokument
The Medium as the Messenger: Farewell notes, filmic motifs and the melodrama.
In: Film International. Vol. 13, Nr. 3, 2015. Diesen Artikel herunterladen
The Invisible Cinema.
The Invisible Cinema. In: Giovanna Fossati/Annie van den Oever (Hgs.): Exposing the Film Apparatus. The Film Archive as a Research Laboratory. Amsterdam: Amsterdam University Press, 2016. Diesen Artikel herunterladen