Mise en Esprit: One-Character Films and the Evocation of Sensory Imagination

In: Paragraph. Vol. 43, No. 3, 2020. pp. 249-264 This article starts out by introducing the category of the ‘one-character film’ — that is, narrative feature films that rely on a single onscreen character. One-character films can range from extremely laconic movies entirely focused on the action in the narrative here-and-now via highly talkative films […]