In: Stephan Günzel/Dieter Mersch (eds.): Bild. Ein interdisziplinäres Handbuch. Stuttgart: Metzler, 2014. Download “Tonfilm und Off” (with Malte Hagener)
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Wut im Kino. Anmerkungen zu einem vernachlässigten Alltagsphänomen.
In: Augenblick. Konstanzer Hefte zur Medienwissenschaft. No. 56/57. Marburg: Schüren, 2013. pp. 72-93. Link to the PDF
Why We Like to Watch Sad Films. The Pleasure of Being Moved in Aesthetic Experiences.
In: Psychology of Aesthetics, Creativity, and the Arts. March 2014.
Stummfilm und Montage (with Malte Hagener).
In: Stephan Günzel/Dieter Mersch (eds.): Bild. Ein interdisziplinäres Handbuch. Stuttgart: Metzler, 2014.
Just like IRL? On Virtual Reality Movie Theaters in the Time of Covid-19
In: In Media Res. June 19, 2020. Faced with closed movie theaters over the past months, cinephiles worldwide have bemoaned the loss of the shared cinema experience and what I have called “the audience effect.” Yet some early adopters were quick to point out an alternative: virtual reality movie theaters. Link to the article on […]
Media and Emotion: An Introduction
In: Special Issue of the journal NECSUS on #Emotions, Amsterdam University Press. Link to the article on NECSUS website
Robbery- Millionen-Raub (1967)
In: Thomas Koebner/Hans Jürgen Wulff (eds.): Filmgenres: Thriller. Reclam: Stuttgart, 2013. pp. 157-160.
Review of Warren Buckland: Film Theory. Rational Reconstructions.
In: Medienwissenschaft. No. 4, 2013. pp. 465-467. Link to the review
Eine Reise ans Ende der Nacht: Moderne und Modernisierungsaengste in Friedrich Wilhelm Murnaus “Sunrise”.
In: Heinz-Peter Preusser: Späte Stummfilme. Ästhetische Innovation im Kino 1924-1930. Marburg: Schüren, 2017. pp. 267-300. Link to the PDF
Review of “The Way Hollywood Tells It: Story and Style in Modern Movies,” by David Bordwell.
In: Amerikastudien/American Studies 52 (4). Link to the PDF