Category Archives: Academic Publications

Reflecting on Reflections: Cinema’s Complex Mirror Shots.

In: Martine Beugnet, Allan Cameron, Arild Fetveit (eds.): Indefinite Visions: Cinema and the Attractions of Uncertainty. Edinburgh: Edinburgh UP., 2017 Abstract: This article investigates the effects mirrors in films can have on the composition of a filmic image, the staging of a scene and the viewing activities of the spectators. It discusses four such effects: […]

“Every Theory Needs a Reference to Lived Experience”: An Interview with Jean-Pierre Meunier.

In: The Structures of the Film Experience by Jean-Pierre Meunier: Historical Assessments and Phenomenological Expansions, edited by Hanich Julian and Fairfax Daniel, Amsterdam: Amsterdam University Press, 2019. Link to the PDF

[Omission, Suggestion, Completion. The film and the viewer’s imagination – an approximation] In: Julian Hanich / Hans-Jürgen Wulff (ed.): Omission, Suggestion, Completion. The film and the viewer’s imagination. Paderborn: Fink, 2012.

Auslassen, Andeuten, Auffüllen Der Film und die Imagination des Zuschauers – eine Annäherung. In: Julian Hanich/Hans-Jürgen Wulff (Hgs.): Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers. Paderborn: Fink, 2012. Link to the PDF

[Great expectations for film adaptations and the imagination of the reader] In: Julian Hanich / Hans-Jürgen Wulff (eds.): Omission, Suggestion, Completion. The film and the viewer’s imagination. Paderborn: Fink, 2012.

Große Erwartungen Literaturverfilmungen und die Imagination des Lesers In: Julian Hanich/Hans-Jürgen Wulff (Hgs.): Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers. Paderborn: Fink, 2012. Link to the PDF

(Miss-)Vergnügen am Ekel. Zu Phänomenologie, Form und Funktion des Abscheulichen im Kino. In: Montage/AV. Vol. 21, No. 2, 2012.

Pleasure in disgust On the phenomenology, form and function of the hideous in cinema In: Montage/AV. Vol. 21, No. 2, 2012. Link to the PDF

Art schema effects on affective experience: The case of disgusting images (co-author, first author Valentin Wagner)

In: Psychology of Aesthetics, Creativity, and the Arts. Volume 8, Issue 2, 2014. Abstract: Can we experience depictions of repulsive objects more positively when we watch them as part of a work of art? We addressed this question by using a scenario approach in a laboratory setting designed to activate two different cognitive schemata: participants […]