The Invisible Cinema. In: Giovanna Fossati/Annie van den Oever (eds.): Exposing the Film Apparatus. The Film Archive as a Research Laboratory. Amsterdam: Amsterdam University Press, 2016. Download this article
Category Archives: Articles
Review of Eyal Peretz: THE OFF-SCREEN AN INVESTIGATION OF THE CINEMATIC FRAME. Stanford: Stanford University Press, 2017.
In: Screen. Vol. 59, No. 1, 2018. pp. 136–140. Link to the PDF document
The Medium as the Messenger: Farewell notes, filmic motifs and the melodrama.
In: Film International. Vol. 13, No. 3, 2015. Download this article
Kino als kollektiver Erfahrungsraum: Die Öffentlichkeit des Kinos.
In: Handbuch Filmtheorie (edited by Bernhard Groß/Thomas Morsch). Berlin: Springer, 2016. Download this article
Watching a Film With Others. Towards a Theory of Collective Spectatorship
In: Screen. Vol. 55, Issue 3, 2014. Abstract: In this essay I suggest that collectively watching a film with quiet attention should be considered a kind of joint action. When silently watching a film in a cinema the viewers are not merely engaged in individual actions – watching a film with others often implies a […]
Fall und Rauch: der Höllensturz.
In: Christine N. Brinckmann/Britta Hartmann/Ludger Kaczmarek (eds.) Motive des Films. Ein kasuistischer Fischzug. Marburg: Schüren, 2012. Link to the PDF
Die Publikumserfahrung. Eine Phänomenologie der affektiven Zuschauerbeziehungen im Kino.
In: Sandra Poppe (ed.): Emotionen in Literatur und Film. Würzburg: Königshausen and Neumann, 2011. Link to the PDF
Clips, Clicks and Climax. Notes on the Relocation and Remediation of Pornography.
In: Jump Cut – A Review of Contemporary Media. Vol. 53, August 2011. (With response articles by Peter Lehman, Thomas Waugh, Nina K. Martin, José P. Capino und Magnus Ulén) Link to “Clips, Clicks and Climax” “Beyond porno chic” by Jose B. Capino “Pornography, technology, and masturbation: response to Julian Hanich” by Peter Lehman “The […]
A Weep in the Dark. Tears and the Cinematic Experience.
In: Ilka Saal/Ralph Poole (eds.): Passionate Politics. The Cultural Work of American Melodrama. Newcastle: Cambridge Scholars Publishing, 2008. Link to the PDF
Collective Viewing. The Cinema and Affective Audience Interrelations.
In: Passions in Context. The Journal for the History and Theory of Emotions. Vol. 1, No. 1, February 2010. Link to the PDF