In: Amerikastudien/American Studies. Vol. 47., No. 4, 2002. Link to the PDF
Category Archives: Articles
Große Erwartungen: Literaturverfilmungen und die Imagination des Lesers.
In: Julian Hanich/Hans-Jürgen Wulff (Hgs.): Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers. Paderborn: Fink, 2012. pp. 239-261. Link to the PDF file
Im Wechselbad der Gefühle. Zur Die Emotionsvielfalt im filmischen Melodram – eine Mikroanalyse (with Winfried Menninghaus.)
In: Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft. Vol 56, No. 2, 2011. Link to the PDF
Anger framed: A field study on emotion, pleasure, and art. (Erstautor: Wagner, Valentin; weitere Autoren: Klein, Julian; Shah, Mira; Menninghaus, Winfried; Jacobsen, Thomas).
In: Psychology of Aesthetics, Creativity, and the Arts. Vol. 10, No. 2, May 2016. Authors: Wagner, Valentin; Klein, Julian; Hanich, Julian; Shah, Mira; Menninghaus, Winfried; Jacobsen, Thomas. In: Psychology of Aesthetics, Creativity, and the Arts. Vol 10, No. 2, 2016. S. 134-146. Link to the PDF document
Complex Staging: The Hidden Dimensions of Roy Andersson’s Aesthetics.
In: Movie – A Journal of Film Criticism. Vol. 5, 2014. Link to PDF file
Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers – eine Annäherung
In: Julian Hanich/Hans-Jürgen Wulff (eds.): Auslassen, Andeuten, Auffüllen. Der Film und die Imagination des Zuschauers.Paderborn: Fink, 2012. Link to the PDF file
Cinematic Shocks. Recognition, Aesthetic Experience, and Phenomenology.
In: Amerikastudien/American Studies. Vol. 57, No. 4, 2012. p. 581-602. Link to PDF file
Phänomenologie und Filmanalyse.
In: Handbuch Filmanalyse (edited by Malte Hagener/Volker Pantenburg), 2018. Link to the PDF
Suggestive Verbalizations in Film: On Character Speech and Sensory Imagination
In: New Review of Film and Television Studies (forthcoming in 2022) Against the background of a widespread language skepticism among film theorists and practitioners, this article aims to highlight the evocative potential of spoken words in cinema. Focusing on an aesthetic device dubbed ‘suggestive verbalization,’ it demonstrates how character speech can powerfully appeal to the […]
On Pros and Cons and Bills and Gates: The Heist Film as Pleasure
In: Film-Philosophy. Vol. 24, No.3, 2020. pp. 304-320. This article tries to shed light on the multiple, but underrated pleasures of the heist film – a genre that has attracted numerous major directors from Jean-Pierre Melville and Stanley Kubrick to Michael Mann and Steven Soderbergh, but has received limited scholarly attention. I approach the genre […]